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Project

Project Purpose
Lacquer arts is an important Asian cultural heritage The purpose of the Asian Lacquer Craft Exchange Project is to promote natural lacquer arts, crafts, industry, and education throughout Asia. We do this by bringing artists, artisans, educators, and scientists together for seminars, workshops, and art exhibitions. At these programs, participants exchange information relating to the world of lacquer. We discuss the current situation of lacquer art and education in each nation, learn new techniques at the workshops, and view contemporary lacquer art from around Asia and the world at the exhibitions. The goal of the Project is to increase and intensify communication and exchanges between lacquer communities expanding and strengthening the worldwide network that binds lacquer cultures. Lacquer arts and crafts is the common cultural heritage of the peoples and nations of East and Southeast Asia and we believe it needs to be recognized as a World Cultural Heritage.

History
Asian Lacquer Craft Exchange Research Project has been active in Myanmar since 2002. Since 2005 we began holding yearly workshops and lectures at the Bagan Lacquerware Technology College, introducing Japanese lacquer art and techniques to the College faculty and students as well as to the local lacquerware community. Bagan is Myanmar's most important lacquer center. In 2014, the Project’s 10th year, an international lacquer art exhibition was added to the program. In February 2016, the expanded program was held at the Chiang Mai University Art Center and in September in Hanoi at the National Museum of Fine Art and the Japan Foundation Center for Cultural Exchange. In 2017 the Project returned to Myanmar with events in Bagan and Yangon. For more information on the Project’s history and goals, please visit our website <asian-urushi.com>

Project Contents

1 Exchange program
Technical and cultural exchange
・ Lacquer artists and experts give lectures and the workshops to introduce Japanese lacquer art and education.
・ Qualified young teachers from the lacquer center in SE Asia are invited to Japan to study lacquer art education, the lacquer crafts industry, lacquer conservation, and other techniques.

2 - Lacquer Design
We offer advice on design and attempt to stimulate interest in new directions for Myanmar (Asian) lacquer art.

3 - Research into Asian lacquer
We do research on lacquer technique, materials and production throughout Asia, not just in Myanmar. Thus far, we have conducted research in Laos, Cambodia, Thailand, Vietnam, and Bhutan

  • Lacquerware industry
    • The current situation of lacquerware production in SE Asia.
    • Materials – lacquer refining and processing, base materials, (bamboo, wood, pigments, additives, etc.).
    • Techniques – base shaping, (e.g. bamboo and horse hair), coating, ornamentation, etc.
  • Culture Research into the use of lacquer
    • in daily life
    • in religious ceremonies by ethnic group
  • The lacquer tree (melanorrhoea usitata) Research into:
    • distribution
    • gathering techniques and seasons
    • production economics
  • History
    • Research into history of SE Asian lacquer art, its origins, development, relationship with and influence on lacquer art in SE Asia, China and Japan.

4 - Joint Asian Lacquer Art Exhibition

  • Practice and proposition of lacquer art work with lacquer art artist and technician of each countries.

Passed Activities

Since 2002, we have researched lacquer in Myanmar, Thailand, Laos, Vietnam, and Bhutan. Since 2004 we have conduct workshops and lectures nine times at the Bagan Lacquerware Technology College. These workshops and lectures focused on the current state of lacquer in Japan and other Asian countries as well as introducing techniques such as “kinma”, “chinkin” and “kawarinuri”. We began a lacquer design project and held lectures focusing on the chemistry of lacquer. Between 2006 and 2009, we invited three young teachers from Myanmar to Japan to study lacquer art education, the lacquer crafts industry, lacquer conservation, and other techniques.

In addition, in 2011 we started exchange program at Luang Prabang Art School in Laos. There used to be traditional lacquer crafts in Laos. but it had almost disappeared except for a young teacher in the Art School studied in Bagan Lacquerware Technology College. We have conducted workshops and lectures in the Art School, and where students have shown great interest in lacquer art.

We reported these activities to the Utsunomiya University (bulletin), the Association of Bunkazai Urushi (bulletin), the Science Group of Urushi (lecture presentation), and the Urushi Summit (poster presentation), and other symposiums. (International Asian Lacquer Symposium, Buffalo State University of New York, 2013 / The Second International Conference Programme “Study of Oriental Lacquer Initiated by H.R.H. Princess Maha Chakri Sirindhorn for the Revitalization of Thai Wisdom”, Bangkok, 2015





IMG_0057.jpgMyanmar Lacquerware


P1000771.jpgLacquer tree, Myanmar


P1000850.JPGWorkshop & Lecture, Bagan, 2009


P1040591.JPGWorkshop & Lecture, Bagan, 2008


P1030996.JPGWorkshop & Lecture, Bagan, 2010


P1050860.JPGWorkshop & Lecture, Laos, 2011


P1150651.JPGDemonstratiion in Bagan, 2014

Contact us

If you have any questions about Asian Lacquer Craft Exchange Research Project, please do not hesitate to contact us.

Asian Lacquer Craft Exchange Research Project
Faculty of Education, Utsunomiya University, 350 Minemachi, Utsunomiya, Tochigi, Japan
E-mail: info@asian-urushi.com